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The European Design Regulation in Context By John Richards* 1. Introduction 2. The International Legislative Frame-work and a Period of Experimentation 3. If the design is dictated solely by function, protection is available only if the design is sufficiently inventive to qualify for patent protection. 4. Recent Developments Outside Europe 5. The Position in Europe 6. Hague Agreement on Industrial Designs 1. Introduction The
European Design Regulation is the third significant recent development in the
realm of design protection. The other two are the Eurpean Union’s harmonization
directive, which went into force on October 1, 2001 and caused substantial
revision of many national design laws in the European Union, and the adoption
of the Geneva Act to update the Hague Agreement on Registration of
International Designs, which was signed on July 2, 1999, but, as of mid 2002, has yet to come into
force. Such developments should be seen in the context of increasing interest
in design protection worldwide and increasing developments in modernizing
design laws worldwide.
[1] The
present paper will attempt to put the recent developments in Europe and the
revision of the Hague Agreement, which has traditionally been viewed as being
primarily a “European” institution, in the context of developments
in the rest of the world.
There
seems to have been a general increase of interest in design protection over the
past twenty years stemming at least in part from an increased interest in style
in society generally, but also from increasing use of design protection as a
lower cost alternative to patenting for protection of utilitarian objects,
trading the breadth of protection that can be achieved by a utility patent for
the speed and low cost of a design protection. This trend is shown by the
following statistics taken from WIPO's annual reports:
Design
Applications Filed:
[*]John Richards is a partner
resident in the New York office of Ladas & Parry. Copyright 2002 John Richards. All rights reserved.
[1]
For much of the twentieth century, design protection was very much the
poor relation of the big three intellectual property types, patents, copyrights
and designs. Now all three tend to see designs as part of their domain. The
main international conventions say little about designs. The
Paris
Convention on Industrial Property
makes only a few mentions of design protection beyond the basic provision in
Article 5
quinquies
that "Industrial designs shall be protected in all countries of the Union." The
Berne
Convention
avoids the issue of what the law should be in this area. Berne does, however,
provide minimum standards for a variety of copyright concepts, in the design
field, by providing that as long as they provide a 25-year minimum period of
protection for works of applied art, member states can decide the extent to
which and the conditions under which works of applied art, designs and models
shall be protected that if a work is protected in its country of origin only by
way of design or model protection it is entitled to be protected in other
countries only by "such special protection as is granted in that country to
designs and models", unless there is no such protection, in which case the
design etc. should be protected as an artistic work.
GATT-TRIPS
simply requires that all members shall provide for protection of independently
created "new or original" designs but provides that countries may make an
exception in the case of "designs dictated essentially by technical or
functional considerations."
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© Copyright 2002 John Richards - Posted July 2002
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