|
3.2 The “Look and Feel” Test
In Whelan Associates[21]
the Third Circuit Court of Appeals was confronted with the question of whether,
even if there was no copying of object code or source code, there could be
copyright infringement in copying the “overall structure” of a
program. The case was one where the alleged infringement was a rewrite of a
program in a different computer language. The court concluded that since
computer software was classified as a literary work under the Copyright Act and
prior decisions held there could be infringement of copyright in a play or book
by copying the plot or plot devices when the total “concept and
feel” of the alleged infringing work was substantially similar to that of
the copyrighted work, the same test should apply to infringement of copyright
in computer programs. The defendants argued this conclusion was inappropriate
in cases of computer software because the basic premise in copyright law is
that copyright should apply only to the expression of an idea and not the idea
itself. According to the defendants, the structure of a computer program is by
definition an idea rather than an expression. The court, however, dismissed
this argument by pointing out that it was possible to write a totally different
program to perform the same tasks as both programs performed in the present
case. The court thus concluded the detailed structure of a program was part of
the expression of an idea rather than an idea itself and upheld a finding of
copyright infringement.
Similar
reasoning was subsequently used to uphold the copyrightability of menu screens
as shown on monitors when a computer was running a particular program as
audiovisual works.
[22]
Copyright
infringement was also found in the unauthorized writing of a computer program
to implement a scheme embodied in a copyrighted literary work that had
previously been operated manually.
[23]
A
further development occurred in consideration of whether copyright protection
exists for what is known as “microcode”, i.e., the programs
embodied in a semi-conductor chip for operating a computer. These had been
arguments that in view of the utilitarian nature of such
“operations software” it should be treated differently from the
prior cases that had dealt with “application software.” However,
the first case of this type upheld copyright protection. The judge commented:
“the methodology employed in the creation of a microcode is to the court
indistinguishable from that employed in the creation of any computer
program.”
[24]
Early
in the 1990’s, the pendulum began to swing as software writers started to
complain that the protection being given by the courts was overly broad and was
inhibiting new developments. Concern that the “look and feel” test
was leading to overly broad protection led, at first, to the adoption of a
two-part test assessing intrinsic and extrinsic similarities
[25].
In
Johnson
Controls v Phoenix
[26]
the court focused on the question of whether the structure, sequence and
organization of the alleged infringement was the same as that of the plaintiffs
program and in
Lotus
Dev Corp. v. Paperback Software
[27]
a different court looked at the flow charts of the parties to determine whether
there was infringement.
In
1992 the idea began to take hold that a computer program was in some ways like
a play or other literary work in which a variety of possibilities presented
themselves for protection from, at the most specific, the actual script to, at
the most general, the broad outlines of the plot. Other traditional copyright
doctrines, such as the concepts that, in some cases, there could be a merger
between the idea and its expression because of the limited ways in which a
particular idea could be expressed or that protection would not be afforded to
features that were dictated by external requirements, also started to be
applied in the computer software field. The advantage of these approaches was
that copyright lawyers had already grappled with these issues over many years
and if the principles that had evolved in dealing with plays could be applied
to computer programs, this should facilitate rapid development of the law.
One
of the earliest cases to use such an approach was
Autoskill
Inc. v. National Educational Support Systems Inc. [28].
In this case, Judge Mechem specifically declined to follow the look and feel
cases and stated:
A better approach for determining what is idea as opposed to expression is known
as the abstractions test articulated by Judge Learned Hand in
Nicholls
v. Universal Pictures Corporation
[17
USPQ 84 2nd Cir. 1930] ...
[u]pon
any work, and especially a play, a great number of patterns of increasing
generality will fit equally well, as more and more of the incident is left out.
The last may be no more than the most general statement of what the play is
about, and at times may consist of only its title; but there is a point in this
series of abstractions where they are no longer protected, since otherwise the
playwright could prevent the use of his ideas to which, apart from his
expression, his property never extended.
|