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TRANSFER OF COPYRIGHTS IN THE UNITED STATES


The Copyright Act of 1976 defines the transfer of copyright ownership as "an assignment, mortgage, exclusive license, or any other conveyance, alienation, or hypothecation of a copyright or of any of the exclusive rights comprised in a copyright, whether or not it is limited in time or place of effect, but not including a nonexclusive license. [145] The Copyright Act expressly permits such transfers to be effectuated, including only specific aspects of the bundle of rights in a copyrighted work by means of a conveyance or by operation of law. [146] Section 201(d) of the Act provides that:


(1) [t]he ownership of a copyright may be transferred in whole or in part by any means of conveyance or by operation of law, and may be bequeathed by will or pass as personal property by the applicable laws of interstate succession.

(2) [a]ny of the exclusive rights comprised in a copyright, including any subdivision of any of the rights specified by section 106, may be transferred as provided by clause (1) and owned separately. The owner of any particular exclusive right is entitled, to the extent of that right, to all of the protection and remedies accorded to the copyright owner by this title. [147]

The Copyright Act of 1976 expressly provides that mere transfer of a material object that is the subject of copyright protection does not, in and of itself, transfer ownership of a copyright in part or in whole. [148] Conversely, transfer of a copyright will not suffice to obtain title to any specific material object that may be the subject of copyright protection. [149]

For a transfer of copyright to be valid other than by operation of law, [150] the transfer must be in the form of an instrument of conveyance (i.e., a writing.) [151] The Act expressly requires that the instrument bear the signature of the transferor-not only the transferee to be valid. [152] As with all contracts, the term "assignment" or "transfer" is not expressly required to be incorporated into the body of the document; rather, the overriding factor is the mutual intent of the parties to transfer an ownership interest in the copyright. [153]

Furthermore, an instrument that embodies the transfer of copyright ownership may in fact be valid in and of itself; however, the Copyright Act of 1976 states that notarial acknowledgment of the transfer document will serve as prima facie evidence of a valid transfer. [154]

The Copyright Act of 1976 provides a mechanism by which parties to a copyright assignment or other transfer may record the transferee as the owner of the copyright. [155] Although the act does not specifically require a transfer to be recorded, a generally accepted and highly recommended practice is for a transferee to submit transfer documents to the Copyright Office for recordation. In many instances, a transferee does not want specific terms contained in the transfer document to become a matter of public record, so hesitates or fails to record the transfer at all. However, this problem can be easily remedied by using a short form document, which incorporates the basic provisions evidencing transfer to the new owner but may omit certain terms and conditions that are unnecessary for recordal purposes but vital to the transaction. [156] For instance, transferees often do not wish to disclose the consideration recited in the transfer document, so may choose to replace the specific dollar amount with a phrase such as "for good and valuable consideration. [157]

Timely recordal of a transfer document is critical in protecting the new owner's rights over and above any representations and warranties incorporated in the transfer document itself. Recordation of a document is constructive notice to third parties about the transferee's recently acquired ownership interest. [158] Constructive notice operates as a vital precaution to both the transferee and a possible subsequent purchaser in the same copyright. In the event that the original transferor attempts to once again sell an interest in the same copyright, timely recordation by the original transferee will alert the new potential buyer that the transferor does not have clear and unfettered title to the copyright. In fact, this specific scenario is contemplated by the Copyright Act of 1976, which establishes priority in ownership of a copyright based upon timely recordal: [159]

As between two conflicting transfers, the one executed first prevails if it is recorded, in the manner required to give constructive notice under subsection (c), within one month after its execution in the United States or within two months after its execution outside the United States, or at any time before recordation in such manner of the later transfer. Otherwise the later transfer prevails if recorded first in such manner, and if taken in good faith, for valuable consideration or on the basis of a binding promise to pay royalties, and without notice of the earlier transfer.

Thus, a transferee who fails to record may lose its ownership interest in a copyright, despite the existence of a valid transfer document, by failing to record before a subsequent purchaser who was unaware of the existence of the prior transfer and paid valuable consideration for the same copyright. The presumed public policy behind this penalty for lack of recordation is an increase in the certainty of commercial transactions and a penalty for those who fail to announce their rights. [160] However, a transferee who records the transfer of ownership before a subsequent assignee will always prevail against the subsequent transferee. [161] In rare circumstances when a subsequent transferee purchases for value and records a transfer of a copyright before the original transferee within one month of the original transfer, the original transferee is protected by the statutory one month grace period in which to record. As such, the original transferee will be protected from any attempt by a subsequent purchaser for value without notice if recordation occurred within the one-month grace period. [162]

 

[145] See 17 U.S.C. § 101.
[146] See Nimmer on Copyright, § 10.03[A][l]. The concept of indivisibility under the Copyright Act of 1909 has essentially been abolished. The doctrine of indivisibility provided that transfer of ownership in a copyrighted work must include the entire "bundle" of rights, and assignment of specific aspects of a copyright was prohibited. The restraint on the marketing abilities in the entertainment industry and American jurisprudence slowly whittled away the concept of "indivisibility" until its virtual abolition by the enactment of the Copyright Act of 1976. See Nimmer at § 10.01.
[147] See 17 U.S.C. § 201(d).
[148] See 17 U.S.C. § 202, which provides "Ownership of a copyright, or of any of the exclusive rights under a copyright, is distinct from ownership of any material object in which the work is embodied. Transfer of ownership of any material object, including the copy or phonorecord in which the work is first fixed, does not, of itself, convey any rights in the copyrighted work embodied in the object; nor, in the absence of any agreement, does transfer of ownership of a copyright or of any exclusive right under a copyright convey property rights in any material object."
[149] Ibid.
[150] Although the Copyright Act mentions transfers "by operation of law," the act itself does not specifically define the circumstances behind which this concept may apply. However, it has been generally recognized that this concept encompasses transfers through legal fiction such as probate and bankruptcy proceedings. See Nimmer on Copyright, § 10.03[A][7].
[151] See 17 U.S.C. § 204(a). “A transfer of copyright ownership, other than by operation of law, is not valid unless an instrument of conveyance, or a note or memorandum of the transfer, is in writing and signed by the owner of the rights conveyed or such owner's duly authorized agent." See Nimmer on Copyright, § 10.03[A][l]. See also Saenger Org., Inc. v. Nationwide Ins. Lice. Assocs., Inc., 864 F.Supp. 246 (D.Mass. 1994); Techniques, Inc. v. Rohn, 592 F.Supp. 1195 (S.D.N.Y. 1984).
[152] See PMC, Inc. v. Saban Entertainment, Inc. 45 Cal. App. 4th 579.
[153] See Nimmer on Copyright, § 10.03[A](2). See also Armento v. Laser Image, Inc., 950 F.Supp. 719 (W.D.N.C. 1996); Schiller & Schmidt, Inc. v. Nordisco Corp., 969 E2d 410 (7th Cir. 1992); Playboy Enterprises, Inc. v. Dumas, 53 F.3d 549 (2d Cir. 1995), cert. denied, 116 S.Ct. 567 (1995).
[154] See 17 U.S.C. § 204(b), which provides "A certificate of acknowledgment is not required for the validity of a transfer, but is prima facie evidence of the execution of the transfer if: (1) in the case of a transfer executed in the United States, the certificate is issued by a person authorized to administer oaths within the United States; or (2) in the case of a transfer executed in a foreign country, the certificate is issued by a diplomatic or consular officer of the United States, or by a person authorized to administer oaths whose authority is proved by a certificate of such an officer."
[155] See 17 U.S.C. § 205(a), which provides, "[a]ny transfer of copyright ownership or other document pertaining to a copyright may be recorded in the Copyright Office if the document filed for recordation bears the actual signature of the person who executed it, or if it is accompanied by a sworn or official certification that it is a true copy of the original, signed document."
[156] See Nimmer on Copyright, § 10.07[A].
[157] Ibid.
[158]See 17 U.S.C. § 205(c): Recordation of a document in the Copyright Office gives all persons constructive notice of the facts stated in the recorded document, but only if: (1) the document, or material attached to it, specifically identifies the work to which it pertains so that, after the document is indexed by the Register of Copyrights, it would be revealed by a reasonable search under the title or registration number of the work; and (2) registration has been made for the work.
[159] See 17 U.S.C. § 205(d).
[160] See Nimmer on Copyright, § 10.07[A].
[161] Ibid., § 10.07[A][1](a).
[162] Ibid.

 

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