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IP As Property / IP Rights Transfers / Transfers of Intellectual Property TRANSFER OF COPYRIGHTS IN THE UNITED STATES The Copyright Act of 1976 defines the transfer of copyright
ownership as "an assignment, mortgage, exclusive license, or any other
conveyance, alienation, or hypothecation of a copyright or of any of
the exclusive rights comprised in a copyright, whether or not it is
limited in time or place of effect, but not including a nonexclusive
license. [145] The Copyright Act
expressly permits such transfers to be effectuated, including only specific
aspects of the bundle of rights in a copyrighted work by means of a
conveyance or by operation of law. [146]
Section 201(d) of the Act provides that:
The Copyright Act of 1976 expressly provides that mere
transfer of a material object that is the subject of copyright protection
does not, in and of itself, transfer ownership of a copyright in part
or in whole. [148] Conversely, transfer
of a copyright will not suffice to obtain title to any specific material
object that may be the subject of copyright protection. [149]
For a transfer of copyright to be valid other than
by operation of law, [150] the transfer
must be in the form of an instrument of conveyance (i.e., a writing.)
[151] The Act expressly requires
that the instrument bear the signature of the transferor-not only the
transferee to be valid. [152] As
with all contracts, the term "assignment" or "transfer" is not expressly
required to be incorporated into the body of the document; rather, the
overriding factor is the mutual intent of the parties to transfer an
ownership interest in the copyright. [153]
Furthermore, an instrument that embodies the transfer
of copyright ownership may in fact be valid in and of itself; however,
the Copyright Act of 1976 states that notarial acknowledgment of the
transfer document will serve as prima facie evidence of a valid transfer.
[154]
The Copyright Act of 1976 provides a mechanism by which
parties to a copyright assignment or other transfer may record the transferee
as the owner of the copyright. [155]
Although the act does not specifically require a transfer to be recorded,
a generally accepted and highly recommended practice is for a transferee
to submit transfer documents to the Copyright Office for recordation.
In many instances, a transferee does not want specific terms contained
in the transfer document to become a matter of public record, so hesitates
or fails to record the transfer at all. However, this problem can be
easily remedied by using a short form document, which incorporates the
basic provisions evidencing transfer to the new owner but may omit certain
terms and conditions that are unnecessary for recordal purposes but
vital to the transaction. [156] For
instance, transferees often do not wish to disclose the consideration
recited in the transfer document, so may choose to replace the specific
dollar amount with a phrase such as "for good and valuable consideration.
[157]
Timely recordal of a transfer document is critical
in protecting the new owner's rights over and above any representations
and warranties incorporated in the transfer document itself. Recordation
of a document is constructive notice to third parties about the transferee's
recently acquired ownership interest. [158]
Constructive notice operates as a vital precaution to both the transferee
and a possible subsequent purchaser in the same copyright. In the event
that the original transferor attempts to once again sell an interest
in the same copyright, timely recordation by the original transferee
will alert the new potential buyer that the transferor does not have
clear and unfettered title to the copyright. In fact, this specific
scenario is contemplated by the Copyright Act of 1976, which establishes
priority in ownership of a copyright based upon timely recordal: [159]
As between two conflicting transfers, the one executed
first prevails if it is recorded, in the manner required to give constructive
notice under subsection (c), within one month after its execution in
the United States or within two months after its execution outside the
United States, or at any time before recordation in such manner of the
later transfer. Otherwise the later transfer prevails if recorded first
in such manner, and if taken in good faith, for valuable consideration
or on the basis of a binding promise to pay royalties, and without notice
of the earlier transfer.
Thus, a transferee who fails to record may lose its
ownership interest in a copyright, despite the existence of a valid
transfer document, by failing to record before a subsequent purchaser
who was unaware of the existence of the prior transfer and paid valuable
consideration for the same copyright. The presumed public policy behind
this penalty for lack of recordation is an increase in the certainty
of commercial transactions and a penalty for those who fail to announce
their rights. [160] However, a transferee
who records the transfer of ownership before a subsequent assignee will
always prevail against the subsequent transferee. [161]
In rare circumstances when a subsequent transferee purchases for value
and records a transfer of a copyright before the original transferee
within one month of the original transfer, the original transferee is
protected by the statutory one month grace period in which to record.
As such, the original transferee will be protected from any attempt
by a subsequent purchaser for value without notice if recordation occurred
within the one-month grace period. [162]
[145] See 17
U.S.C. § 101.
[146] See Nimmer
on Copyright, § 10.03[A][l]. The concept of indivisibility under
the Copyright Act of 1909 has essentially been abolished. The doctrine
of indivisibility provided that transfer of ownership in a copyrighted
work must include the entire "bundle" of rights, and assignment of specific
aspects of a copyright was prohibited. The restraint on the marketing
abilities in the entertainment industry and American jurisprudence slowly
whittled away the concept of "indivisibility" until its virtual abolition
by the enactment of the Copyright Act of 1976. See Nimmer at §
10.01.
[147] See 17
U.S.C. § 201(d).
[148] See 17
U.S.C. § 202, which provides "Ownership of a copyright, or of any
of the exclusive rights under a copyright, is distinct from ownership
of any material object in which the work is embodied. Transfer of ownership
of any material object, including the copy or phonorecord in which the
work is first fixed, does not, of itself, convey any rights in the copyrighted
work embodied in the object; nor, in the absence of any agreement, does
transfer of ownership of a copyright or of any exclusive right under
a copyright convey property rights in any material object."
[149] Ibid.
[150] Although
the Copyright Act mentions transfers "by operation of law," the act
itself does not specifically define the circumstances behind which this
concept may apply. However, it has been generally recognized that this
concept encompasses transfers through legal fiction such as probate
and bankruptcy proceedings. See Nimmer on Copyright, § 10.03[A][7].
[151] See 17
U.S.C. § 204(a). “A transfer of copyright ownership, other
than by operation of law, is not valid unless an instrument of conveyance,
or a note or memorandum of the transfer, is in writing and signed by
the owner of the rights conveyed or such owner's duly authorized agent."
See Nimmer on Copyright, § 10.03[A][l]. See also Saenger Org.,
Inc. v. Nationwide Ins. Lice. Assocs., Inc., 864 F.Supp. 246 (D.Mass.
1994); Techniques, Inc. v. Rohn, 592 F.Supp. 1195 (S.D.N.Y. 1984).
[152] See PMC,
Inc. v. Saban Entertainment, Inc. 45 Cal. App. 4th 579.
[153] See Nimmer
on Copyright, § 10.03[A](2). See also Armento v. Laser Image, Inc.,
950 F.Supp. 719 (W.D.N.C. 1996); Schiller & Schmidt, Inc. v. Nordisco
Corp., 969 E2d 410 (7th Cir. 1992); Playboy Enterprises, Inc. v. Dumas,
53 F.3d 549 (2d Cir. 1995), cert. denied, 116 S.Ct. 567 (1995).
[154] See 17
U.S.C. § 204(b), which provides "A certificate of acknowledgment
is not required for the validity of a transfer, but is prima facie evidence
of the execution of the transfer if: (1) in the case of a transfer executed
in the United States, the certificate is issued by a person authorized
to administer oaths within the United States; or (2) in the case of
a transfer executed in a foreign country, the certificate is issued
by a diplomatic or consular officer of the United States, or by a person
authorized to administer oaths whose authority is proved by a certificate
of such an officer."
[155] See 17
U.S.C. § 205(a), which provides, "[a]ny transfer of copyright ownership
or other document pertaining to a copyright may be recorded in the Copyright
Office if the document filed for recordation bears the actual signature
of the person who executed it, or if it is accompanied by a sworn or
official certification that it is a true copy of the original, signed
document."
[156] See Nimmer
on Copyright, § 10.07[A].
[157] Ibid.
[158]See 17 U.S.C.
§ 205(c): Recordation of a document in the Copyright Office gives
all persons constructive notice of the facts stated in the recorded
document, but only if: (1) the document, or material attached to it,
specifically identifies the work to which it pertains so that, after
the document is indexed by the Register of Copyrights, it would be revealed
by a reasonable search under the title or registration number of the
work; and (2) registration has been made for the work.
[159] See 17
U.S.C. § 205(d).
[160] See Nimmer
on Copyright, § 10.07[A].
[161] Ibid.,
§ 10.07[A][1](a).
[162] Ibid.
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